July 07, 2016

EDO MINGEI - Tama ori weaving

http://omamorifromjapan.blogspot.jp/2013/12/orimono-weaving.html

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. . . . . . . . . . Tokyo 東京

Tama-ori, Tama Ori 多摩織 Woven Fabrics from Tama

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■Traditional Technologies and Techniques
There are five Tama Ori woven fabrics: omeshi-ori, tsumugi-ori, fuutsu-ori, kawaritsuzure-ori and mojiri-ori.
-1 - Omeshi-ori fabric お召織
is characterized by fine wrinkle patterns known as shibo on its surface.
- 2 - Tsumugi-ori fabric 及び紬織
has a unique texture defined by subtle convex-concave patterns.
- 3 - Fuutsu-ori fabric 風通織
(reversible-figured double weave), which is a type of double-woven fabric (niju-ori), has two layers that display patterns. The main pattern color on the front side becomes the background color on the back, resulting in a unique reversible pattern structure. Silk threads that have been either dyed 先染め (sakizome) or degummed 先練り (sakineri) in advance are woven using a Jacquard loom or dobby loom.
- 4- Kawaritsuzure-ori fabric 変り綴
is a modified form of satin weave. Multicolored weft threads (traverse threads) are used to weave complex, picture-like patterns. Pre-dyed (sakizome) silk threads are used, and the weave structure is a plain weave or variation of a plain weave.
- 5 - Mojiri-ori is a fabric 綟り織り
with loosely twisted threads in which the warp threads (longitudinal threads) are intertwined with one another and the weft threads (transverse threads) are then drawn through the weave. This results in gaps between each row of threads. It has a transparent quality similar to that of lace fabric. Silk threads that have been either dyed (sakizome) or degummed (sakineri) in advance are woven using a Jacquard loom.

■Traditionally Used Raw Materials
Raw silk, dupion silk or floss silk spun into thread



■History and Characteristics
Kaiko kau / kuwa no miyako no seiran / ichi no kariya ni / sawagu morobito
かいこ(蚕)飼ふ桑の都の青嵐市のかりやにさわぐ諸びと
(Raising silkworms / strong winds through fresh verdure in the City of Mulberries / rented spaces in the marketplace / merriment of the masses)

These words are from a poem sung during the Tensho Era (1573-1592). They describe the bustling activity of the castle town marketplace at 八王子 Hachioji. In Hachioji, which was known as the "City of Mulberries," sericulture (the raising of silkworms) and textile manufacturing have both long flourished; and these factors have contributed to the continued weaving of various textiles in the area.

Although the five different fabric types - omeshi-ori, tsumugi-ori, fuutsu-ori, kawaritsuzure-ori and mojiri-ori - are referred to collectively as Tama Ori today, they can all be considered the culmination of developments during Hachioji's long textiles history.

Leading weaving industries developed in locations with clean water, with famous production areas including the Kamo River in Kyoto and the Watarase River in Kiryu and Ashikaga. Hachioji, the home of Tama Ori weaving, is no exception to this rule. The city is surrounded by the Aki and Asa Rivers, which have headwaters within the borders of the former Bushu (Musashi), Soshu (Sagami) and Koshu (Kai) Provinces. The history of weaving in Hachioji has close ties with the waters of these rivers.

Hachioji's markets were formerly held on the fourth and eighth day of each month. After the Tokugawa (who later became the rulers of Japan) relocated to the Kanto area, it is believed that Hachioji's Yokoyama and Yokaichi Markets began to serve as important commercial venues for the textiles that became important local products. Hachioji was situated at the borders of Bushu and Koshu Provinces, making it a strategically important location in military terms. The Kanto head magistrate's office and junior officials (Sennin Doshin) were located in the city, and Hachioji served as the protector of the western part of Edo. These developments elevated the status of Hachioji.

The Tama Ori production process is distinctive in terms of the division of labor. The singular, quiet elegance of the woven fabrics results from the separation and specialization of production processes. Such processes include textile manufacturing, preparing punched cards (jacquard cards) for guiding looms, thread dyeing, gluing, warping (preparing reels to determine the spacing and placement of longitudinal threads), preparing kasuri (the weaving in of dyed fibers to create patterns and images), print-style dyeing, thread twisting, setting of loom frameworks, and the final treatment of cloth (fine adjustments made to improve its texture).

Hachioji Textile Fabric Manufacturing Cooperative Association
- source : sangyo-rodo.metro.tokyo.jp/shoko -


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